SAPPHIRE PRIDE, the fifth single from the long-awaited album PRAIRIE PRINCE COLOURS and PASSIONS, is available on your favorite platform.
Stream the single now.
SAPPHIRE PRIDE credits
Prairie Prince – Vocal, Traps, Log Drum, Bamboo, Water Gong, Wave Drum
Chris von Sneidern – Samples
Jennifer Burnes – Bass Guitar
Jim Thomas – Guitar
Diana Mangano – Siren Vocal
Ralph Carney – Tenor Sax, Vocal
The True Story of SAPPHIRE PRIDE
After my dear sister Helen passed from many years fighting nuclear palsy/Parkinson’s disease, there was a wake and send off for her out under the Golden Gate Bridge into the wide Pacific per her last request. Family and friends boarded a memorial craft supplied with flower petals and her ashes, to scatter out in the wind and down into the Sapphire Sea. This track is an ode to her legacy and embraces the grand love and admiration for my sister with her love for the Colour Sapphire (her birth stone) and the mighty blue ocean. Passions were many and deeply attributed in her personality. Pride dominated them in her strength and dedication to work, art, research, and family. Continuing the composition’s theme around water, the pride of the ocean, and my early admiration for surf music where I honed my early drumming techniques listening to Dick Dale and The Ventures. I engaged my colleagues Jennifer Burnes and Jim Thomas from the Mermen to collaborate on the finale of the suite; recorded by Chris Von Sneidern in his tiny Tape Vault Studio crammed together like in a submarine. In one if my many travels to exotic destinations, a trip to the South Pacific Island of Bora Bora was arranged by Dana Magnin, the new bride of our host, the self-proclaimed king, Tautu Tautaha whose mother was once a Tahitian queen. The drumming experienced there inspired homage in Polynesian rhythms used with pride in connecting the sections of this composition. The piece is about the ever-changing oceans, salvation of sea life, and all that encompass it. Song and cries of whales can be heard here. For the late Ralph Carney of Tom Waits fame, homage is made with his voice and horn of a sea shanty past.
SAPPHIRE PRIDE Lyrics
Sapphire
Azure
Powder blue
Ultramarine
(oh, ah, ooh, ah)
Pride blue
Helen lives amongst the waves
Sapphire ripples and mermaids’ nipples bounce and bob to the beat
The ancient Tahitian call, Rapa Nui
Bora Bora 2020
Tautaha, Tautu, Tautaha
Rose petals drift ashore to rest on sapphire glass and
To command orders from the Royal Navy horn, revelry for miles
The osprey floats in the air on a prayer
Olympic range of azure smiles on her sapphire soul
Bowling with Ralph Carney, down at the Pacific Sea Bowl
Prairie Prince!
(Primal scream)
Join me on TalkShopLive, Thursday, March 5, 2026, at 7pm ET for an interview about my debut solo album “Prairie Prince Colours and Passions.”
The ambitious project—ten years in the making and featuring 50 musicians across 14 tracks—pays homage to spoken word legend Ken Nordine’s landmark 1966 album “Colors.”
We’ll talk about the making of the album, the songs and some of my friends that played on it including Todd Rundgren, Journey’s Ross Valory, Dead Kennedys Jello Biafra and Buckethead to name a few.
I’ll be answering questions from you. And as my way of saying thanks for buying, each CD & vinyl purchased will come with an autographed insert from me.
Thursday, March 5 at 7pm ET on TalkShopLive. Colours and Passions – see you there!
“COLOURS AND PASSIONS” – A DECADE IN THE MAKING TRIBUTE TO KEN NORDINE’S “COLORS” — RELEASE DATE MARCH 20, 2026
PRE-ORDER / PRE-SAVE on Vinyl, CD, and digital.
10 years, 50 musicians, 20 drums, 14 tracks, Colours and Passions, the debut solo album by acclaimed drummer Prairie Prince takes up where the original record by spoken word legend Ken Nordine left off.
DENVER, CO / SAN FRANCISCO, CA – February 2, 2026 – After a lifetime behind the drums for some of rock’s most iconic acts, Prairie Prince steps into the spotlight with his debut solo album, “Colours and Passions,” releasing March 20, 2026, on Label 51 Recordings. The ambitious project—ten years in the making and featuring 50 musicians across 14 tracks—pays homage to spoken word legend Ken Nordine’s landmark 1966 album “Colors.”
Recorded at the historic site of Wally Heider’s Studios in San Francisco, where Creedence Clearwater Revival, Santana, and Crosby, Stills, Nash & Young captured their classic sounds, “Colours and Passions” represents an imaginative fusion of percussion artistry and collaborative improvisation. Each track explores a specific color and its emotional resonance, creating what Prince describes as an almost Jungian journey through the collective subconscious.
“I started off with drum tracks and then added different percussion,” Prince explains. “I would have other people put some bass or some guitar and tried to follow whatever melodies they made up on top, trying to make songs you could actually sing. Chords and keys I don’t know much about—I’m a drummer.”
THE JOURNEY FROM WORD JAZZ TO COLOURS AND PASSIONS
Prairie Prince first encountered Ken Nordine’s work as a youth through his older sisters, who introduced him to the Chicago voiceover artist’s beatnik-era spoken word albums “Word Jazz” and “Son of Word Jazz.” Nordine’s original “Colors” featured thirty-four individual tracks, each devoted to a specific color. Prince’s “Colours and Passions” concentrates on fourteen shades that spoke directly to the drummer’s imagination and experience.
The recording process, interrupted by the pandemic, unfolded organically over more than a decade. Much of the album was improvised on the spot, with Prince’s percussion work serving as the foundation for contributions from an extraordinary roster of collaborators including Todd Rundgren, Jello Biafra (Dead Kennedys), Ross Valory (Journey), Chris von Sneidern (The Flamin’ Groovies), members of The Tubes, and gonzo guitarist Buckethead.
The album will be accompanied by drawings of the drums used on each track, created by Prince himself—a visual artist as accomplished as he is a musician.
A LEGENDARY CAREER BEHIND THE KIT
Prairie Prince’s résumé reads like a who’s who of rock history. Beyond his work with The Tubes and the Todd Rundgren band, he was the original drummer in Journey and belonged to Jefferson Starship for several years. As one of Northern California’s most sought-after session drummers, he has recorded with Chris Isaak, Tom Waits, George Harrison, Dick Dale, and countless others.
With his creative partner Michael Cotten of The Tubes, Prince has designed and built stage sets for Bette Midler, Billy Joel, and NSYNC. The duo worked with choreographer Kenny Ortega on the 1996 Summer Olympics in Atlanta, Super Bowl XXX halftime show with Diana Ross, Michael Jackson’s “This Is It” show, and numerous Las Vegas spectacles. Their mural of flying record albums hovered over the A&M Records lot in Hollywood for many years.
SINGLES ROLLING OUT TO ALBUM RELEASE
Label 51 Recordings has been rolling out singles from “Colours and Passions” in advance of the March 2026 album release:
The fourth single, “FLESH TERROR,” tackles themes of racial violence and segregation with a tempo that gradually accelerates from largo through presto, climaxing with a musical implosion. The track features Chris von Sneidern on samples, Bobby Strickland on flute, and Buckethead on acoustic and electric guitar, with comedian Neil Hamburger making a surprise appearance.
About Label 51 Recordings Label 51 Recordings is reimagining the music industry through artist-first principles and community-driven ownership models.
Fan Ownership Opportunity Label 51 Recordings is currently conducting a fan-funding campaign on Wefunder, offering fans the opportunity to become actual co-owners of the label. Unlike traditional crowdfunding rewards, investors receive equity stakes in the company, aligning their interests with the label’s success. The campaign represents a new model for independent music, where fans can directly support and benefit from the artists they believe in.
“We’re building something different – a label where artists keep their masters and fans can own a piece of the company,” Zicklin said. “It’s about disrupting the traditional music industry model and creating genuine partnerships with both artists and music lovers.”
For more information about investing in Label 51 Recordings, visit https://wefunder.com/label51recordings.
Contact: Andy Zicklin | Label 51 Recordings | andy@label51recordings.com |www.label51recordings.com
For high-resolution images, additional information, or interview requests, please contact Label 51 Recordings.
PRAIRIE PRINCE CAREER HIGHLIGHTS:
FLESH TERROR, the fourth single from the long-awaited album PRAIRIE PRINCE COLOURS and PASSIONS, is available on your favorite platform.
STREAM the single now.
FLESH TERROR credits
Prairie Prince – Vocal, Click, Traps, Dumbek
Chris von Sneidern – Samples
Buckethead – Acoustic Guitar, Electric Guitar
Bobby Strickland – Flute
Neil Hamburger – Joke (Black, White, & Red, Flesh)
The True Story of FLESH TERROR
Initially and truly inspired by Ken Nordine’s take on his version of the color “Flesh” verse, I expounded the idea more about racial commentary and violent issues caused by misunderstanding the reasons for segregation between humans and the colour of people’s skin. In the climate turmoil created by supremacy and racism, the track begins with a tempo largo, ever so gradually increasing in beats-per-minute thru presto, climaxing with implosion of the Hall of the Mountain King, hence the current state of the union. Beginning the track with full traps and percussion, to an accelerating click track, Chris von Sneidern worked the samples, while Bobby Strickland played the flute with terrifying authority screams. Brian Carroll (aka Buckethead) introduces the track, plucking a tender ode on acoustic guitar, then accompanying interpretations of terror with fierce calisthenics on his renowned electric tears guitar, all the while wearing his masked disguise within the recording vault of terror. The observance of Trump in the lyric is obviously a statement of my disdain for the man and his loss of respect for humanity in his own towers of hell, placing all the blame on him.
FLESH TERROR Lyrics
FLESH
THE COLOUR OF FLESH
FLESH
BLACK, YELLOW, RED, WHITE, ROSE MADDER
FLESH TERROR
THE OUTSIDER, THE ONE WHO DARES TO BE DIFFERENT
THE CLIMATE OF TERROR
A CHILD DIES UNEXPECTEDLY
HAVOC BREAKS OUT
THE BLAME HAS TO BE LAID ON SOMEBODY
SCREAMS THE FLUTE
OUT OF ORDER! OUT OF ORDER!
ALL HOLES SPITTING ALARM
100 DAYS
1,000 DAYS
A MILLION DAYS
BILLIONS AND BILLIONS AND BILLIONS AND BILLIONS OF DAYS
LIVING IN THE TOWER OF TRUMP TERROR!
RESIST! RESIST THE HELL ON EARTH
INSIST, INSIST ON TRIBAL BIRTH
TAKE THE BODY TO THE RIVER
DROWNED IN FEAR AND TERROR
ALL COLOURS OF FLESH
FLUSH OUT!
BLACKOUT
YELLOW IS NOT SO MELLOW
IN THE FIGHT
DEEP RED SKIN NEVER SEE THE LIGHT
ALL FLESH
ALL FLESH
ALL THE FLESH
ALL COLOURS
ONE FLESH
(COUGH)
WHAT’S BLACK AND WHITE AND RED ALL OVER?
THE LYRIC SHEET TO JOHN LENNON’S PLASTIC ONO BAND ALBUM
HA HA
YEAH
ORANGE JOY, the third single from the long-awaited album PRAIRIE PRINCE COLOURS and PASSIONS, available NOW.
This song is dedicated to the memory of Jesse Gress – long-time partner in music, wonderful guitar player, and ardent lover of Bossa Nova music.
ORANGE JOY credits
Prairie Prince – Vocal, Traps, Quira, Timbales, Bass Drum
Chris von Sneidern – Acoustic Guitar, Electric Guitar
Michael Cotten – Keys, Samples, Synth
David James – Bass Guitar, Keyboard, Vocals
Ross Valory – Bass Guitar, Vocals
Eric Levy – Keys, Synth
Diana Mangano – Vocals
Charlie Prince – Laughs
Neil Hamburger – Joke (Orange)
Video: Michael Cotten
The True Story of Orange Joy
Since the beginning of my awareness of colour, I’ve always preferred the colour Orange over Yellow. Not that I don’t have respect for Yellow as a colour (see and hear ‘Yellow Excitement’ track 4 on my up-and-coming album, Prairie Prince’s Colours and Passions). In an early colouring book assignment, my teacher requested a box that held Jack to be coloured Yellow; I filled the square Orange and was reprimanded for not following directions. I’ve had a mental block about the incident ever since. Orange gave me a sense of Joy and warmth that has also never left me in my love for Latin music that evokes the sun’s hues and heat of its rhythms. With this track my intention was to imagine being in a place so serene and lovely, relaxing on a shore in a hammock somewhere under a canopy of fronds, making love to a slow steady Bossa groove. Suddenly accelerating in tempo and building in intensity, with inclusion of a new joyful location such as a theme park, turning the mellow rhythmic passion into rubato time, encouraging mucho hip movement in a burst of joy. The third section of the suite segues into a cranking bateria viva allegro timbale finale and ultimate Joy. The track began by recording vocals and background vocals to my traps and percussion. Michael Cotten joined the project with amazing keyboard and sample contributions. Mike has also created and directed the video for Orange Joy. Next collaborations were Ross Valory from the band Journey, on bass guitar, and Eric Levy from Night Ranger, on keyboards and synthesizers. Ross delivered a vocal tribute to Paul Lynde (Wonderful!) David James of The Beth Custer Ensemble, and Diana Mangano from Jefferson Starship, recorded keyboard, bass, and guitar, along with the choral background vocals in Spanish and joyful laughter. My pop, Charlie Prince, can be heard laughing and expounding with pride and joy on this musical roller-coaster ride. Lastly, Chris von Sneidern plays acoustic guitar throughout the track and ends with a final scorching Santana-esque guitar solo and hit it out of the park! This song is dedicated to the memory of Jesse Gress – long-time partner in music, wonderful guitar player, and ardent lover of Bossa Nova music. — Prairie Prince
ORANGE JOY lyrics
Knock, Knock
Who’s there?
Orange
Orange who?
Orange you glad we have something to drink besides Fanta?
Ha ha, yeah
BE SURE YOU GET THE REAL THING, 100% PURE ORANGE
AAAHHHH
BATARIA NARANJA
BADA DA DA
AAAHH
ORANGE IS THE JOY I FEEL WHEN I GAZE INTO HER EYES
ORANGE IS THE JOY WHEN I LOOK INTO HER EYES
ORANGE IS THE JOY WHEN I LOOK INTO HER EYES
AS SHE LOOKS OUT THRU THE ORANGE SUNRISE
THERE IS A TANGERINE REFLECTION OF ME THERE
AND THRU HER HAIR HER EYES THEY DO TELL ALL
A STRANGEST WAY TO COLOUR HER CARE
ORANGE IS THE COLOUR, THE COLOUR I SEE
AS WE DANCE AND ROMANCE IN THE SUN
OH JOY, OH BOY – BATARIA NARANJA BADA DA DA
BADA DA DA BADA DA DA
ORANGE SKY ENDLESS IN MY EYE
ORANGE JOY AAHH
BEAUTIFUL GIRL, MOTHER OF PEARL, DAUGHTER OF JUNE
JOYFUL IN HER HEART, WALKIN’ IN THE HEAT
SINGIN’ IN THE RAIN, DANCIN‘ ON HER FEET
(REPEAT)
SENSATIONAL, BEAUTIFUL IN HER SONG AND DANCE
TOO BRILLIANT TO BE ELEGANT
WONDERFUL DELIGHT WITH NO END IN SIGHT
HAPPINESS AND JOY BOY OH BOY OH BOY
(REPEAT)
JOYFUL IN HER HEART, WALKIN’ IN THE HEAT
SINGIN’ IN THE RAIN, DANCIN’ ON HER FEET
WONDERFUL DELIGHT WITH NO END IN SIGHT
HAPPINESS AND JOY, BOY, OH BOY, OH BOY
AAHHH
CARROT AND PUMPKIN DANCIN’ THE SAMBA
ORANGINA
SAFFRON RUNAROUND RED AND YELLOW MAMBO
ORANGINA NARANJA, ORANGINA NARANJA
ORANGE STANDS ON ITS OWN BETWEEN YELLOW AND RED
NEON RED BROUGHT NEARER TO HUMANITY BY YELLOW
GOLDEN GATE BRIDGE OF INTERNATIONAL FEEL
A CLOCKWORK ORANGE JUMPSUIT APPEAL
ORANGINA NARANJA
THAT’S MARVELOUS
THAT IS WONDERFUL
(LAUGHS)
DON’T YOU JUST LOVE SHOW BUSINESS?
(LAUGHS)
THAT’S JOY!
TRASHWHITE ANGER, the second single from the long-awaited album PRAIRIE PRINCE COLOURS and PASSIONS, available now.
Watch the official TRASHWHITE ANGER video featuring Todd Rundgren,
Video by Hans Shoop. more
Full Record Release (Vinyl, CD & Digital) from Label 51 Recordings … coming in March 2026. more
The True Story of TRASHWHITE ANGER
It began by asking Todd Rundgren if he would collaborate with me on a Colour and Passion for my record. He thought about it and considered a few colour choices but then realized that TRASHWHITE might be an option in the colour spectrum.
We decided to work on a song depicting the multitudes of feelings and characteristics of such a colour and all things that come with it. A title like one found in a house paint chip catalogue, TRASHWHITE associates more with an array of passions (anger, racism, violence, embarrassment, supremacy) rather than with an actual hue on the wheel of colour; TRASHWHITE points at various shades on the scale of natural colours, complementary and non.
Todd scripted his lyrics to my basic track of drums, adding guitar and synthesizer along with a poignant vocal delivery. Chris von Sneidern engineered and sang BGVs. Jason Scheff from the band Chicago played bass guitar and contributed his endorsement for the project with a gleeful performance. Raging slide guitar solos along with authentic hillbilly pickin’, played by Joe Dileo, capture the threat and immediacy of the track. Jello Biafra of Dead Kennedys and his cohorts chanted and declared TRASHWHITE war with reckless abandon throughout.
I spewed out my lyrical discontent interspersed with acknowledgements about conditions in our uncertain society, along with a pumping dance groove, asking the listener to stand up and shout! Kick out the jams MF!
TRASHWHITE ANGER
Prairie Prince – Vocal Chorus, Background Vocals, Traps, Hambone Slap
Chris von Sneidern – Background Vocals, Samples
Todd Rundgren – Vocal Verses, Guitar, Synths, Sequencer
Jason Scheff – Bass Guitar, Vocals
Joe Dileo – Slide Guitar, Guitars
Jello Biafra – Vocal
Mikel “Squirrel Man” Ross – Cracker Vocal
Trashwhite Chorus:
Prairie Prince
Anne-Marie Anderson
Ralph Spight
Mikel Ross
Jello Biafra
Kurt Schlegel
TRASHWHITE ANGER Lyrics
TRASHWHITE, SOMETIMES KNOWN AS ANGRY WHITE
AFRAID THE OTHER COLOURS ARE PUSHING HIM TO THE
BOUNDARIES OF THE CANVAS WHEN HE
WANTS TO BE, NO, DESERVES TO BE AT THE CENTER
TRASH, TRASH, TRASHWHITE
ACT LIKE AN ASS
AIN’T GOT NO CLASS
AIN’T GOT NO TASTE
YOU GONE TO WASTE
KELSO DUMPSTER DIVER
ECO SHUCK ‘N JIVER
CLEAN UP TO BE A SURVIVOR
KEEP TRASHWHITE SHADE ALIVER
TRASHWHITE, FROM A LONG LINE OF SHADY WHITES
EACH A LITTLE LESS WHITE, BUT STILL DREAMS IN
WHITEWASH, BUT LIVES A BASTARD OF PURE LIGHT
OF TRUE WHITE, IVORY AND ALABASTER WON’T BE SEEN
WITH TRASHWHITE THEY KNOW IT EMBARRASSES HIM, JUST AS THEY ARE
EMBARRASSED TO BE AROUND HIM
TRASH, TRASH, TRASHWHITE
SKIDROW CRACKA UNGRATEFUL SMACKER
TRASHWHITE IS THE COLOUR
TOO STUPID TO LIVE
BAD TO THE BONE
NO SOCIAL ORDER ZONE
LOW DOWN RASCALS
PAINTING THE WHOLE DOWNTOWN
WHITE!
BECAUSE TRASHWHITE IS NOT THAT COMFORTABLE WITH
OTHER COLOURS, OR WITH IDEAS THAT
MAKE HIM WONDER, IF HE WAS NOT CREATED THE MOST
WONDERFUL HUE OF ALL
BUT TRASHWHITE IS HERE TO STAY
IMPERVIOUS TO ANY CAMPAIGN TO MAKE HIM CHANGE HIS
SHADE. BECAUSE IF THERE’S ONE THING
IN HIS FAVOR, YOU DON’T HAVE TO BE WHITE TO BE
TRASHWHITE
Y’ALL BOYS SEEM TO LIKE TA COME AROUND HERE ‘N TALK A
A LOT O’ SHIT. DON’T MAKE ME COME GET ALL
MY BOYS AND COME DAR ‘N SORT Y’ALL OUT…
WE AIN’T GOT MUCH ELSE TO DO BUT SIT
AROUND WORRYING ABOUT WHAT Y’ALL FIXIN’ TA DO
TRASH, TRASH, TRASHWHITE
ALABASTARD
WHITEHOUSE DISCO ‘KEEP IT SIMPLE’
DON‘T STOP, DON’T STOP
WALKING ‘CROSS A 40 ACRE FIELD
RATTLESNAKE BIT ME ON MY HEEL
TURNED AROUND TO DO MY BEST
STEPPED INTO A HORNET’S NEST
CHICKEN IN A BREAD-PAN PIC’N OUT DOUGH
STEP BACK CHICKEN, AND PIC A L’IL MO
TRASHWHITE HAMBONE WHERE YOU BEEN?
PAINTING THE WHOLE DOWNTOWN
TRASHWHITE … RASPBERRY RED, LEMON YELLOW
THREAT LEVEL ORANGE!
CAN’T SOMEBODY FIND ME A CONSPIRACY I CAN BELIEVE IN
… AND PRAY TO THE MAN IN THE TINFOIL HAT
BLACK HORROR, the first single from the long-awaited album PRAIRIE PRINCE COLOURS and PASSIONS, available NOW on all digital platforms.
BLACK HORROR credits
Prairie Prince – Vocal, Traps 1
Chris von Sneidern – Guitar, Samples
Roger Steen – Guitars (Lead Solos)
Rick Anderson – Bass Guitar 1
Atom Ellis – Bass Guitar 2
Trey Sabatelli – Traps 2
Cyril Jordan – Guitar
Joe Mirante – Vocals, Guitar Feedback
Neil Hamburger – Joke (Black)
Full Record Release (Vinyl, CD & Digital) from Label 51 Recordings … coming in early 2026. more
Black Horror
It all started at 4 years old, watching King Kong at the drive in movies; the fear, the horror. My Pop reciting and reading from Edgar Allen Poe, “the mask of the red death,” “the raven,” “the black cat,” all-consuming intrigue and terror. What at first, I closed my eyes and plugged my ears, became an obsession. Monsters ruled my world with masks, models, movies, ghost stories, and fake blood. My clubhouse and underground fort became a haunted house and a tomb for anything monstrous, creating a frightful era in early warped entertainment. To encapsulate the dark side of my love for the colour BLACK and the PASSION for horror in a recording, along with a visual companion, via video, the expression has no limits. Seeking out members of the Tubes band and some musician friends to record my vision. we all shared adoration for evil ways and set out to capture a true bloody red, in Black and white epic journey through the heart of darkness … mine. Stop, Look, and Listen … If you dare!! Ha, Ha, Ha!SIDE NOTES:
TWO DRUMMERS: Myself and Trey Sabatelli
TWO BASS PLAYERS: the late Rick Anderson and Atom Ellis
THREE GUITARISTS: Roger Steen, Chris von Sneidern, Cyril Jordan
FEEDBACK GUITAR/ VOCALS: Joe Mirante
Haunted mind games abound
witches spells cast
Monster lore chillingly told
Endless Madcap Laughing
Church Bells ringing
Coffins creaking
Sod stones knocking
Banshees wailing
Madmen screaming
Wolves howling
Mummies rotting
Phantoms lurking
Neil Hamburger joking … the Colour Black … Paint it Black!— Prairie Prince
The Label 51 Recordings showcase at The Great American Music Hall Sunday night was stellar. Thank you to my cohorts in The Colourful Head Band and to False Flag for accompanying me through this creative endeavor .
Congratulations to Label 51 Recordings and The Great American Music Hall staff for pulling off this mini-fest of Label-mates in a fun gathering for all.
My Fabulous UV psychedelic Drum set painted by the drip master Joe Mirante was the topper to my 75th birthday and big love for all the bday wishes out there!
PP ‘25
Prairie Prince’s set will include a live performance of tracks from his upcoming release Colours and Passions plus a few surprises.
Label 51 Recordings Presents…David J and Comrades (David J (Bauhaus, Love & Rockets), Victor DeLorenzo (Violent Femmes) and multi-instrumentalist Darwin Meiners), Mojave Phone Booth, Rain Parade, Prairie Prince, Frightwig, Screaming Bloody Marys
Sunday, May 4, 2025
Great American Music Hall San Francisco, CA
Doors: 5:00PM | Show: 6:00PM
